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	<title>BODYWORKS</title>
	<link>https://farahazrak.cargo.site</link>
	<description>BODYWORKS</description>
	<pubDate>Mon, 06 Apr 2026 10:09:14 +0000</pubDate>
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		<title>Opening</title>
				
		<link>https://farahazrak.cargo.site/Opening</link>

		<pubDate>Mon, 06 Apr 2026 10:09:14 +0000</pubDate>

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		<title>HOME</title>
				
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		<pubDate>Sat, 03 Sep 2022 15:17:43 +0000</pubDate>

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		<title>BIO</title>
				
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		<pubDate>Thu, 29 Sep 2022 12:01:03 +0000</pubDate>

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Farah Azrak (b. Damascus, Syria 1986) is a transdisciplinary polyvocal artist, performer, facilitator, and somatic movement and voice practitioner. Her work spans performance making, voice, video, sound, collage, and extends to community-based projects and grassroots initiatives. Rooted in somatics and social engagement, she explores the body as a site of transformation, while the voice being a force of healing, disruption, and connection.&#38;nbsp;

 Drawing from personal and collective experiences, her performances blend raw form with crafted environments, engaging audiences in visceral experiences that question notions of relational dynamics of place, presence, and perception - and the lack thereof. She loves to engage in creating alternative spaces of collective knowledge creation, regenrative practices and shared visions for liberation.
&#38;nbsp;
 
Farah graduated from Fashion Design in London in 2013, and soon after dived deeper into the body through various schools of dance improvisation and sensorial education in the UK, France, Canada, and other places. In 2017, she finished her training as a Somatic Movement Practitioner in the Netherlands (ISMETA certified), and she began experimenting with video and collage as portals for the body imaginalis. In 2018, her voice emerged through her somatic practice and since then it has been central to her work. 
Farah’s passion for ecology guides her in creating immersive environments that reflect the deep enmeshments of systems, and the visceral need to rebuild relationship with the natural world. 
Alongside her artistic practice, Farah is a psychosocial support facilitator and somatic practitioner working with individuals and different groups of people, including disenfranchized communities using body-based practices and expressive arts. 
Farah’s collage and video works were exhibited in Yerevan, London, Paris, and Beirut. In 2021, she directed and produced her first research project 33 VERTEBRAE — an interactive durational performance of 33 hours that was awarded by Culture Resource for production grants. Later, she co-directed CIRCUIT — an immersive site-specific vocal performance at the Dome experimental theatre at Rachid Karame Exhibition Park. In 2022, she curated and performed in DE-COMPOSING VOICE in collaboration with Beirut Synth Center and Beirut Art Center. In 2023, she presented MY SKIN, MY EAR, an immersive live sound experience that was commissioned by Capacities of People, Capacity of City exhibition in Beirut. In 2024, she was invited to Oslo, Norway by Masahat Festival as a resident artist to lead a 5 weeks project, SONGS OF ANEMONE. 
Farah also creates sound pieces and performs live with voice and electronics, among other on-going audio-visual projects, collaborations, and collective street performances. She co-founded BULABAN social circus for refugee children in Lebanon as an alternative education program of play and radical immagination. She was also active in initiating several grassroots projects that are centered around expressive arts and performance making serving local communitites and marginalized group of people.&#38;nbsp;

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		<title>Contact</title>
				
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		<pubDate>Sat, 10 Sep 2022 10:18:57 +0000</pubDate>

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		<description>farahazrak@gmail.com
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		<title>PROJECTS</title>
				
		<link>https://farahazrak.cargo.site/PROJECTS</link>

		<pubDate>Sat, 03 Sep 2022 19:51:33 +0000</pubDate>

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SONGS OF ANEMONE
community-based project &#124;&#124; Oslo 2024
leading artist, director, facilitator, performer
A residency program of 5 weeks building a series of events and performances occupying collective grief practice as a radical form of protest to build community and mobilize collective creation.&#38;nbsp;
	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2193afbe9d27f1e197bcdafafb63bd9b21d5bd0ff36577a5fc0b1ec8cc7a5984/MSHT_082.JPG" data-mid="246885712" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2193afbe9d27f1e197bcdafafb63bd9b21d5bd0ff36577a5fc0b1ec8cc7a5984/MSHT_082.JPG" /&#62;

	


	
DE-COMPOSING VOICE
voice performance &#124;&#124; Beirut 2022curator, performer
 An invitation to dissolve, scatter, and dispel binding agents of immovable objects and enter a space of sensory imagination of the voice.

	

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c61e980c962bd729dc3f7cdd0787ae98236f596e19a6248deb475731be20571f/De-comp.jpg" data-mid="174108648" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c61e980c962bd729dc3f7cdd0787ae98236f596e19a6248deb475731be20571f/De-comp.jpg" /&#62;

	

	




33 VERTEBRAE
durational performance &#124;&#124; Beirut 2021
director, producer, performer
A 33 hour performance in a semi-public space asking questioning how do we evolve in a state of crisis? How do we resist while adapting? What does it take to allow new conditions to arise?
	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c47fb38c204107200b32a133ad702f6b12a520f0ebf84a6fb55753a32e3d8466/1100.jpg" data-mid="246885982" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c47fb38c204107200b32a133ad702f6b12a520f0ebf84a6fb55753a32e3d8466/1100.jpg" /&#62;



	

	
KHABARKAN
collective street performance &#124;&#124; Beirut 2022
co-creator, facilitator, performer
The quest of reclaiming public spaces in Beirut is a long journey.&#38;nbsp;
 
	&#60;img width="772" height="582" width_o="772" height_o="582" data-src="https://freight.cargo.site/t/original/i/3035bad531bac04f41220fd76aa89bfc70eb40c7ad7ba7c510942a00ba30c603/Khabarkan-4.jpeg" data-mid="246886011" border="0" data-scale="100" src="https://freight.cargo.site/w/772/i/3035bad531bac04f41220fd76aa89bfc70eb40c7ad7ba7c510942a00ba30c603/Khabarkan-4.jpeg" /&#62;




	

 &#38;nbsp; &#38;nbsp; &#38;nbsp;

	
CIRCUIT
site-specific vocal performance &#124;&#124; Tripoli 2022
co-director, trainer, performer
What are the voices that inhabit our bodies? What is the fate of sound once released into space? What if it returned? 
 







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BAQ BAQ BACIRQUE
Bulaban Circus performance &#124;&#124; Beqaa 2023
project manager, trainer, performer
Who came first? the egg or the chicken? is a social circus performance created by the circus team alongside with all the children of Bulaban circus.


	
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RIHLA ILA.. TERDAD
collective street performance &#124;&#124; Beirut 2021
co-creator, performer
One year after the port explosion, we created a collective street performance for the festival of
Terdad Cultural Revival.  


	
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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 
	
SOMATIC READING
improvised performance &#124;&#124; Beirut 2021director, performerA frankestein of texts and readings opening the reading voices of a local bookshop at Barzakh local bookshop café in Beirut.
  
	&#60;img width="2934" height="1646" width_o="2934" height_o="1646" data-src="https://freight.cargo.site/t/original/i/5fa7d89c0e86e07b74b3886d2d9ff58c1c51afc5e71300a6ef488d710585c5ec/som1.jpg" data-mid="246886320" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5fa7d89c0e86e07b74b3886d2d9ff58c1c51afc5e71300a6ef488d710585c5ec/som1.jpg" /&#62;


	

	


RIHLA
collective street performance &#124;&#124; Beirut 2020co-creator, performerIn most challenging times of Lebanon, our Zayraqoun collective was active in creating street perforamnces that would challenge the status quo of shock and social depletion.&#38;nbsp;
	
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		<title>Collectives</title>
				
		<link>https://farahazrak.cargo.site/Collectives</link>

		<pubDate>Wed, 12 Oct 2022 10:07:09 +0000</pubDate>

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	BULABAN CIRCUSfounding member &#38;amp; circus manager 2022-2024
Social circus for children, artists, clowns, freaks, and all members of our communities. &#38;nbsp; - Website

	
BAQ BAQ BACIRQUE
end of season circus performance!&#38;nbsp;
	
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ZAYRAQOUN COLLECTIVEactive member &#38;amp; co-creator 2020-2024
A network of artists, performers, creators, musicians, activists.&#38;nbsp;- Website&#38;nbsp;



	

KHABARKANHamra, Beirut - Dec 2022Street performance - Zayraqoun collective creation supported by Zoukak Theatre&#38;nbsp;



	
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&#60;img width="770" height="579" width_o="770" height_o="579" data-src="https://freight.cargo.site/t/original/i/680cf0e7d95fb10ef5235823faeef53240d56872f5896363749cf871f441647e/Khabarkan-7.jpeg" data-mid="173924880" border="0"  src="https://freight.cargo.site/w/770/i/680cf0e7d95fb10ef5235823faeef53240d56872f5896363749cf871f441647e/Khabarkan-7.jpeg" /&#62;
&#60;img width="771" height="581" width_o="771" height_o="581" data-src="https://freight.cargo.site/t/original/i/4f85aa8bd2dbbcb5ca3df1692e76c49f27b6b6dd5a31a820cc3af5b1da62161b/Khabarkan-10-.jpeg" data-mid="173924883" border="0"  src="https://freight.cargo.site/w/771/i/4f85aa8bd2dbbcb5ca3df1692e76c49f27b6b6dd5a31a820cc3af5b1da62161b/Khabarkan-10-.jpeg" /&#62;
&#60;img width="770" height="579" width_o="770" height_o="579" data-src="https://freight.cargo.site/t/original/i/59289debfeb305339670c880cb9930f3f96d39c7ed7d380f0e6f829fcb85d81f/Khabarkan-11.jpeg" data-mid="173924884" border="0"  src="https://freight.cargo.site/w/770/i/59289debfeb305339670c880cb9930f3f96d39c7ed7d380f0e6f829fcb85d81f/Khabarkan-11.jpeg" /&#62;
&#60;img width="744" height="558" width_o="744" height_o="558" data-src="https://freight.cargo.site/t/original/i/61891148f95aef134bcf45a172cbe79d03ae245535615651d9647268e0ecb0c7/Khabarkan-9-.jpeg" data-mid="173924882" border="0"  src="https://freight.cargo.site/w/744/i/61891148f95aef134bcf45a172cbe79d03ae245535615651d9647268e0ecb0c7/Khabarkan-9-.jpeg" /&#62;
&#60;img width="772" height="583" width_o="772" height_o="583" data-src="https://freight.cargo.site/t/original/i/510519add17fe0aae0dc7907cd26d94a7de3ca2ef628ba5e30abd267b91db9d5/Khabarkan-2-.jpeg" data-mid="173924875" border="0"  src="https://freight.cargo.site/w/772/i/510519add17fe0aae0dc7907cd26d94a7de3ca2ef628ba5e30abd267b91db9d5/Khabarkan-2-.jpeg" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/85c8ee3df7678182332141e7754a76951e496c978f36b749e3beb8937751b814/Khabarkan-12.jpeg" data-mid="173924885" border="0"  src="https://freight.cargo.site/w/1000/i/85c8ee3df7678182332141e7754a76951e496c978f36b749e3beb8937751b814/Khabarkan-12.jpeg" /&#62;



	

	

RIHLA ILA... TERDAD Festival&#38;nbsp;Gemayzeh, Beirut&#38;nbsp; - Jun 2021Supported by Zoukak Theatre &#38;amp; Cultural Revival&#38;nbsp;



	
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b8dbb2806aa1c592e5b45e155eed526f66aad6a7cf0fa960c6a98515828280c6/Terdad-.jpeg" data-mid="155587513" border="0"  src="https://freight.cargo.site/w/1000/i/b8dbb2806aa1c592e5b45e155eed526f66aad6a7cf0fa960c6a98515828280c6/Terdad-.jpeg" /&#62;
&#60;img width="1280" height="958" width_o="1280" height_o="958" data-src="https://freight.cargo.site/t/original/i/05bb5641a9831f6da1fb850549686ef6c58ac6e029a94722d7f562391ec745f8/Rihla-Ila---Terdad-.jpeg" data-mid="155587510" border="0"  src="https://freight.cargo.site/w/1000/i/05bb5641a9831f6da1fb850549686ef6c58ac6e029a94722d7f562391ec745f8/Rihla-Ila---Terdad-.jpeg" /&#62;
&#60;img width="1280" height="958" width_o="1280" height_o="958" data-src="https://freight.cargo.site/t/original/i/445b73993331f238eb043d22dde41d23679e5db989880cd177a46ceea51778a7/terdad---mkhayel-.jpeg" data-mid="155587512" border="0"  src="https://freight.cargo.site/w/1000/i/445b73993331f238eb043d22dde41d23679e5db989880cd177a46ceea51778a7/terdad---mkhayel-.jpeg" /&#62;

	




	
RIHLA
Karantina, Beirut - Dec 2020&#38;nbsp;
Street performance and public interventions at Karantina area in Beirut post August explosion&#38;nbsp;



	
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/6e89689d533094a528bcf99871caa5bfe304949f0c778c169ba71ed989ed3c9a/Rihla-Ila---2020-.jpeg" data-mid="155587171" border="0"  src="https://freight.cargo.site/w/1000/i/6e89689d533094a528bcf99871caa5bfe304949f0c778c169ba71ed989ed3c9a/Rihla-Ila---2020-.jpeg" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/ad2d0621ef098088fd5908cc82f4b8526d671dfc658b680b846a387ea3d728e1/Rihla-Ila---2020-2.jpeg" data-mid="155587173" border="0"  src="https://freight.cargo.site/w/1000/i/ad2d0621ef098088fd5908cc82f4b8526d671dfc658b680b846a387ea3d728e1/Rihla-Ila---2020-2.jpeg" /&#62;
&#60;img width="1152" height="648" width_o="1152" height_o="648" data-src="https://freight.cargo.site/t/original/i/036272869996825f519b64d08f740d3b3feac15a55783430519adc1613f5c38b/Rihla-Ila-2020---Karantina-.jpeg" data-mid="155587175" border="0"  src="https://freight.cargo.site/w/1000/i/036272869996825f519b64d08f740d3b3feac15a55783430519adc1613f5c38b/Rihla-Ila-2020---Karantina-.jpeg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/a1d8c2a71cfa81cdb20bf4358b58616bde3cf3006cf533ad3825fad0595db09b/Terdad---Karantina-.jpeg" data-mid="155587668" border="0"  src="https://freight.cargo.site/w/1000/i/a1d8c2a71cfa81cdb20bf4358b58616bde3cf3006cf533ad3825fad0595db09b/Terdad---Karantina-.jpeg" /&#62;
&#60;img width="2758" height="1624" width_o="2758" height_o="1624" data-src="https://freight.cargo.site/t/original/i/62d91d25f4264c698b7d4584b7a08ab0c407a1eb857b5dc93c6a2667fbb4ba69/Haya-ila-2.jpg" data-mid="155589228" border="0"  src="https://freight.cargo.site/w/1000/i/62d91d25f4264c698b7d4584b7a08ab0c407a1eb857b5dc93c6a2667fbb4ba69/Haya-ila-2.jpg" /&#62;
&#60;img width="1340" height="1005" width_o="1340" height_o="1005" data-src="https://freight.cargo.site/t/original/i/9c0ca25f0d621cdb8fb3605676dec9c1c8ce574e1576732f7c90e699ad8caa43/Hayya-Ila--Hermel-.jpg" data-mid="155589230" border="0"  src="https://freight.cargo.site/w/1000/i/9c0ca25f0d621cdb8fb3605676dec9c1c8ce574e1576732f7c90e699ad8caa43/Hayya-Ila--Hermel-.jpg" /&#62;

	

	
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Sound Performances</title>
				
		<link>https://farahazrak.cargo.site/Sound-Performances</link>

		<pubDate>Sat, 02 Nov 2024 05:39:38 +0000</pubDate>

		<dc:creator>BODYWORKS</dc:creator>

		<guid isPermaLink="true">https://farahazrak.cargo.site/Sound-Performances</guid>

		<description>

LIVE PERFORMANCES &#38;amp; COLLABORATIONS
	
UNDERBELLIES
Poetry Salon at Tota Beirut 2026
&#38;nbsp;
soundpoetry voice improvisation&#38;nbsp;Underbellies are often soft and delicate, they carry all of life’s struggles and grit. They are sites where exposed and obscured realities live.


	&#60;img width="1165" height="1876" width_o="1165" height_o="1876" data-src="https://freight.cargo.site/t/original/i/92925ed1686066f96ecb417f7c9191ddda8f9eca2a076976f46749f51d4c3035/soundpoetry-.jpg" data-mid="247106265" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/92925ed1686066f96ecb417f7c9191ddda8f9eca2a076976f46749f51d4c3035/soundpoetry-.jpg" /&#62;


	
SOUND &#38;amp; SPOKEN -&#38;nbsp;is this after the ruin or before the revival? 2025
Live sound and poetry improvisation
at Beirut Art Center

	&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/a46ca11220630add05c77c54b215fbfb24a3e9fe48f0bb09163491760b26ad8d/Screenshot-2026-04-12-at-10.35.36PM.png" data-mid="247106259" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/a46ca11220630add05c77c54b215fbfb24a3e9fe48f0bb09163491760b26ad8d/Screenshot-2026-04-12-at-10.35.36PM.png" /&#62;


	
BEIRUT &#38;amp; BEYOND - International music festival 2025
Electronic sound performance a part of&#38;nbsp; Beirut &#38;amp; Beyond festival at Metro Al-Madina&#38;nbsp;

	&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/617ce5627f75423e8f3a2ff68b75541db774546b1d9cee528aa3c4a3fca53201/Farah_Azrak_07.jpg" data-mid="246923861" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/617ce5627f75423e8f3a2ff68b75541db774546b1d9cee528aa3c4a3fca53201/Farah_Azrak_07.jpg" /&#62;




	
BUILDING BRIDGES
Prozess Residency 2025
sound performance

Live showcase of residency research at Prozess, Bern, Switzerland with the support of Beirut &#38;amp; Beyond


	
	&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b02a4dfd1821abff4feff464fe6dc7ae0af8e4476a2b62dadcf9d96acbf6fb41/5db17998-5c57-4e49-8d66-904c3852bd25.JPG" data-mid="246923833" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/b02a4dfd1821abff4feff464fe6dc7ae0af8e4476a2b62dadcf9d96acbf6fb41/5db17998-5c57-4e49-8d66-904c3852bd25.JPG" /&#62;

&#38;nbsp;


	
MY SKIN, MY EAR 
Immersive sound performance 2023

 Commissioned by:&#38;nbsp;Vital Lebanon: Capacities of People, Capacities of Citites exhibition by Procol Lebanon

is an invitation to enter skin, to enter a large sensory field of perception to pace the way for a new repertoire of experience. A ode of relation through deep listening, feeling, touching, and being touched by the world.&#38;nbsp;
	&#60;img width="1152" height="648" width_o="1152" height_o="648" data-src="https://freight.cargo.site/t/original/i/4be2a638996c7876a94e8c570ed3c441ceb57db0a48c8dd89809d1d135d35d06/19c9f899-a6ea-4285-a6cb-0901f5952257.JPG" data-mid="221057558" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/4be2a638996c7876a94e8c570ed3c441ceb57db0a48c8dd89809d1d135d35d06/19c9f899-a6ea-4285-a6cb-0901f5952257.JPG" /&#62;



	Farah Azrak (BlueBrow) · My Skin, My Ear // live sound performance (recorded version)






	

MASHTAL - SONIC FIELDS 2024
Live sound performance layering the human voice to generate granular soundscapes that are raw, organic, and immersive in nature.
	
&#60;img width="1544" height="1532" width_o="1544" height_o="1532" data-src="https://freight.cargo.site/t/original/i/e8e55c0757fe9c8419d14fd67d7ce9df7ddb48448a3c7dfd53ed4b4a4c3b2eb8/Screen-Shot-2024-11-27-at-3.21.51-PM.png" data-mid="222540836" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/e8e55c0757fe9c8419d14fd67d7ce9df7ddb48448a3c7dfd53ed4b4a4c3b2eb8/Screen-Shot-2024-11-27-at-3.21.51-PM.png" /&#62;

	Farah Azrak (BlueBrow) · Tubular



	

BIRD IN QUARANTINE I - MEDISOUP soundscapes of the Mediterranean 2021

Unmasking. Experimental Sonic Practices: Tuning In A Dark SynecdocheBird in Quarantine I'- an assemblage of audio recordings taken during the full lockdown in January 2021. I used my own vocals and atmospheres of my surrounding to make up the sounds that mark a journey into the underworld of pure utterance. 
 



	





	

BONES - ELECTRICITYLESS 
Album by Ana Bogner&#38;nbsp;
Contribution: 
Track&#38;nbsp;I-&#38;nbsp;BONES in collaboration with Ksenjia Ladik&#38;nbsp;



	
&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/f4eb0f33be5a3f3cdba9749d135bd8959b46cce681b4e0baf90180789c47876f/Electricityless-II-.jpeg" data-mid="222542091" border="0"  src="https://freight.cargo.site/w/1000/i/f4eb0f33be5a3f3cdba9749d135bd8959b46cce681b4e0baf90180789c47876f/Electricityless-II-.jpeg" /&#62;
&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/59c8a199a0fd6816e897b34e9f2dcb3cb5f0cd039951c688837efb446d6a41b2/Electricityless.jpeg" data-mid="222542092" border="0"  src="https://freight.cargo.site/w/1000/i/59c8a199a0fd6816e897b34e9f2dcb3cb5f0cd039951c688837efb446d6a41b2/Electricityless.jpeg" /&#62;


AUDIO VISUAL PROJECTS&#38;nbsp;
	
BECOMING BIRD
An on-going sound project drawing fascination from birds and their song, their relationship to land, cities, bodies, and imaginal worlds of flight and freedom.
	&#60;img width="1440" height="1324" width_o="1440" height_o="1324" data-src="https://freight.cargo.site/t/original/i/43eec4bb462e23bd068025a0e529c6cf546c6258c7c73fc8e96fa02ec7f8d200/566F8734-B830-45D8-8B39-1C1BEE9E64C9.JPG" data-mid="246924362" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/43eec4bb462e23bd068025a0e529c6cf546c6258c7c73fc8e96fa02ec7f8d200/566F8734-B830-45D8-8B39-1C1BEE9E64C9.JPG" /&#62;



	Farah Azrak (BlueBrow) · My Bird ii




	
OF LAND 

An on-going audio-visual project that combines poetry, vocals, sound, and video in dialogue with spatial vocalities and land stories.

	&#60;img width="2815" height="1572" width_o="2815" height_o="1572" data-src="https://freight.cargo.site/t/original/i/be99336672b3628830a0483be3d4fb334681924c13359d6eddbb2f9dda9ab254/Screen-Shot-2022-09-11-at-12.18.19-PM.png" data-mid="246924317" border="0"  src="https://freight.cargo.site/w/1000/i/be99336672b3628830a0483be3d4fb334681924c13359d6eddbb2f9dda9ab254/Screen-Shot-2022-09-11-at-12.18.19-PM.png" /&#62;

	

Farah Azrak (BlueBrow) · of land (excerpt)


	
FOR THE LOVE OF EARTH 
An audio-visual track that combines voice, sound and stories of land.

	


</description>
		
	</item>
		
		
	<item>
		<title>Video lands</title>
				
		<link>https://farahazrak.cargo.site/Video-lands</link>

		<pubDate>Thu, 29 Sep 2022 15:16:49 +0000</pubDate>

		<dc:creator>BODYWORKS</dc:creator>

		<guid isPermaLink="true">https://farahazrak.cargo.site/Video-lands</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Portraits</title>
				
		<link>https://farahazrak.cargo.site/Portraits</link>

		<pubDate>Sat, 10 Sep 2022 12:51:13 +0000</pubDate>

		<dc:creator>BODYWORKS</dc:creator>

		<guid isPermaLink="true">https://farahazrak.cargo.site/Portraits</guid>

		<description>












	
Somatic Portraits&#38;nbsp;Video performances and diaries of somatic explorations and vocal research.





	
Insides Outsides (2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘12:12

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dccfcae2cc588cd39d88e7de970f6f019da41185503e702e470e8248c5925e32/IO.jpg" data-mid="152617835" border="0"  src="https://freight.cargo.site/w/1000/i/dccfcae2cc588cd39d88e7de970f6f019da41185503e702e470e8248c5925e32/IO.jpg" /&#62;

	
Unbound (2022/2025) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘1:40

&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/93492447db1b31f0dfdc0ea739af378909c16ba7f696da791c3259b1f53b23ac/Screen-Shot-2025-09-13-at-5.44.59-PM.png" data-mid="238192119" border="0"  src="https://freight.cargo.site/w/1000/i/93492447db1b31f0dfdc0ea739af378909c16ba7f696da791c3259b1f53b23ac/Screen-Shot-2025-09-13-at-5.44.59-PM.png" /&#62;
	
Regression (2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘10:00

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/501aa1b791865d6351e338256aeda6c9f14c8cdf3ed3075ce4a184cc08073b59/reg.jpg" data-mid="152617930" border="0"  src="https://freight.cargo.site/w/1000/i/501aa1b791865d6351e338256aeda6c9f14c8cdf3ed3075ce4a184cc08073b59/reg.jpg" /&#62;


	
Of Flesh and Cavitites (2019) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘12:22
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dd6287cb7a14a71804966db63d39777265f318be76c22576ebd536a481367e1c/OFC.jpg" data-mid="152617951" border="0"  src="https://freight.cargo.site/w/1000/i/dd6287cb7a14a71804966db63d39777265f318be76c22576ebd536a481367e1c/OFC.jpg" /&#62;
	My Double (2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘1:30
&#38;nbsp;&#38;nbsp;&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/5030571c40b51f5b3218863b2be65ac86077f357cd0fdaaf3e258bda939ce45f/MD.jpg" data-mid="152618001" border="0"  src="https://freight.cargo.site/w/1000/i/5030571c40b51f5b3218863b2be65ac86077f357cd0fdaaf3e258bda939ce45f/MD.jpg" /&#62;

	1993 In Memory of Fluids (2020) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘5:36

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/0a1ff301d1b21ac7788da571296b7cd1f33254591744ec61cef63fc7a0fcd137/1993.jpg" data-mid="152618053" border="0"  src="https://freight.cargo.site/w/1000/i/0a1ff301d1b21ac7788da571296b7cd1f33254591744ec61cef63fc7a0fcd137/1993.jpg" /&#62;


	Blind Nerve (2017) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘5:15

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/db88f1436a0f76d65807331101fbab02431938a629fa11e11bc3ced96d8bfc44/BN.jpg" data-mid="152618102" border="0"  src="https://freight.cargo.site/w/1000/i/db88f1436a0f76d65807331101fbab02431938a629fa11e11bc3ced96d8bfc44/BN.jpg" /&#62;

	One Afternoon (2016) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘2:13
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/587a969eee388ca0b592bd30c0017ece33f80903b98c63979e2cd99eec58960f/Screen-Shot-2020-10-21-at-12.22.43-PM.png" data-mid="221057484" border="0"  src="https://freight.cargo.site/w/1000/i/587a969eee388ca0b592bd30c0017ece33f80903b98c63979e2cd99eec58960f/Screen-Shot-2020-10-21-at-12.22.43-PM.png" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>VIDEO</title>
				
		<link>https://farahazrak.cargo.site/VIDEO-1</link>

		<pubDate>Sat, 10 Sep 2022 13:20:17 +0000</pubDate>

		<dc:creator>BODYWORKS</dc:creator>

		<guid isPermaLink="true">https://farahazrak.cargo.site/VIDEO-1</guid>

		<description>
	Video Art &#38;amp; Experiments


	

LIPSINK. (2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘2:43&#38;nbsp;


&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/ee27dd8f7e482f09dee010385852a86d74cc45d1497c849dac89829602871ecc/Lipsink-1.png" data-mid="152606843" border="0"  src="https://freight.cargo.site/w/1000/i/ee27dd8f7e482f09dee010385852a86d74cc45d1497c849dac89829602871ecc/Lipsink-1.png" /&#62;
Video and voice work dismembering speech as a manner of automatic movement. How dismemberment creates silence. Not Only.

	


TERRA (2021-2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘30:00+

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6e589fd028e5d418149e63c5355baa249fff00eeeef05c7655610cd49d7b12ba/terra-.jpg" data-mid="152609116" border="0"  src="https://freight.cargo.site/w/1000/i/6e589fd028e5d418149e63c5355baa249fff00eeeef05c7655610cd49d7b12ba/terra-.jpg" /&#62;
Audio-Visual work that accompanies territoriality research for voice and movement. The footage was shot in various locations in Lebanon of Juniper, Ceder, and Pine reserves, as well as major rivers and valleys.
	
OF LAND (2022) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘20:00+
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4f83225daa6bf6661fb905fe4099b7fc1e90dbc5ed9acda1a1dad39e8412add8/Screen-Shot-2022-09-11-at-12.15.43-PM.png" data-mid="152607556" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4f83225daa6bf6661fb905fe4099b7fc1e90dbc5ed9acda1a1dad39e8412add8/Screen-Shot-2022-09-11-at-12.15.43-PM.png" /&#62;
A hyper-realist audio-visual project portraying our land in a proto-psychotic state of immersion; imagination in the making. If we are imagined, what would that make us?

	SHAMRA (2021) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘4:22
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3d399fecb8a88fb2f8483935aaa34a27837b201b9a681178b29c803d161ad2ee/SHAMRA-.jpg" data-mid="152609201" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/3d399fecb8a88fb2f8483935aaa34a27837b201b9a681178b29c803d161ad2ee/SHAMRA-.jpg" /&#62;A video portrait of Shamra in Beirut lockdown, 2021.

	IT TAKE II TO TANGO (2020) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘3:06

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6ea756d0fe97eab58a8eb88e06f57762bb55c4babbe1ee55e711ddbe795b1576/it-takes-II-.jpg" data-mid="152609198" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/6ea756d0fe97eab58a8eb88e06f57762bb55c4babbe1ee55e711ddbe795b1576/it-takes-II-.jpg" /&#62;A collaborative transcontinental video project between Farah Azrak and Mayssan Charafeddine. This work was produced under the direction of the title only. It was showcased at SOMA fest online.
	A LOVE LETTER (2018) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ‘3:35

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6037c547e5d8455a44bff246a32c0bf2885e68e9897b959a36a22dad556334cd/A-LETTER.jpg" data-mid="152609182" border="0"  src="https://freight.cargo.site/w/1000/i/6037c547e5d8455a44bff246a32c0bf2885e68e9897b959a36a22dad556334cd/A-LETTER.jpg" /&#62;
A commissioned video work for ‘A LOVE LETTER TO MEEM’ An LGBTQIA workshop and exhibition at Station, Beirut, curated by Dima Mikhayel Matta.


	OBSESSION (2017) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘4:23
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/8facfb91631140e7faabfde162509faf404cf60e26cdd2261a4691abbe719dcc/Obsession.jpg" data-mid="152609697" border="0"  src="https://freight.cargo.site/w/1000/i/8facfb91631140e7faabfde162509faf404cf60e26cdd2261a4691abbe719dcc/Obsession.jpg" /&#62;
Audio-visual work addressing the obsessive nature of a camera and scissors.
	APRIL SUN (2017) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘3:00
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/589bcf07762910fae76b74b0e1a0373f8bfa1f45d5c5957541ef491cb50d03f5/April-sun.jpg" data-mid="152609690" border="0"  src="https://freight.cargo.site/w/1000/i/589bcf07762910fae76b74b0e1a0373f8bfa1f45d5c5957541ef491cb50d03f5/April-sun.jpg" /&#62;
Audio-visual work experimenting with movement for camera outside/ inside. A part of a residency at Goleb Studios in Amsterdam, NL.
	ALINA’s (2018) &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ‘4:12
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/adcd11b31d13cd8f7c8b156e3d18ad0c18a3bab691d9749baed209376a0799d4/Alina-s.jpg" data-mid="222570406" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/adcd11b31d13cd8f7c8b156e3d18ad0c18a3bab691d9749baed209376a0799d4/Alina-s.jpg" /&#62;Video portrait of Alina in Berlin, 2018.&#38;nbsp;


</description>
		
	</item>
		
	</channel>
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